![]() With Black performers completely shut out of the best actress race - notably The Woman King‘s Viola Davis and Till‘s Danielle Deadwyler, two favorites on the 2023 circuit - questions arose as to how and why Hollywood’s ruling class had rallied so enthusiastically around Riseborough. What’s clear is that a word-of-mouth Hail Mary campaign aimed directly at the Academy of Motion Picture Arts and Sciences’ acting branch and led by a raft of such A-listers as Winslet, Charlize Theron and Gwyneth Paltrow - with even competitors like Cate Blanchett jumping in - allowed Riseborough to clinch the nomination.Īt first, Riseborough’s triumph was trumpeted as a watershed moment for independent film and a stake to the heart of the conventional wisdom that only studio-backed pictures have the resources to score Oscar nominations.īut that uplifting narrative quickly morphed into something more contentious. How did it happen? Hollywood awards strategists will surely dissect the phenomenon for generations. That the film she starred in was To Leslie, an ultra-low-budget indie that grossed only $27,000 in its single week in theaters, served to enhance the shock value. Iñárritu), if not a household name - was one of five lead actresses whose name was read aloud by Riz Ahmed. 24, Oscar nominations morning, when Riseborough - a screen vet (she’s a favorite of auteurs like Mike Leigh, Armando Iannucci and Alejandro G. For starters, it erupted not during the ceremony but on Jan. But this brouhaha - call it l’Affaire Riseborough - is different. The Oscars long have had a knack for stirring up creative controversy. “I think once I have time to process everything, I might understand it a bit better.” In this moment, however, she can’t even concede to being happy about it. When asked questions about the awards campaign or the conversations about race and privilege it’s sparking, she hesitates, preferring to address those matters in a later conversation (which she will, via email). Suggested: ‘That’s you? Holy sh*t…you’re going to win an Oscar’: Chris Evans Visibly Smitten By Ana de Armas’ Marilyn Monroe Transformation in Blonde Why Blonde’s Director Stays Happy Despite People’s Outrage Andrew Dominik is the director of Blonde (2021).Greek Streamer Antenna Plus Eyes New Markets With Investment From Canada's Fairfax Financial (Exclusive)Īs this is Riseborough’s first major interview since that surprise nomination - but arranged before the backlash that followed it - she is aware that anything she utters over the next two hours could easily boomerang back to wound her. Andrew Dominik also felt that he wanted to turn the image of Marilyn Monroe and twist it in such a way that the people had not seen before. Suffice it to say, the director felt that he had indeed done his job beautifully since so many people had been outraged at the movie. It’s trying to take the iconography of her life and put it into service of something else, it’s trying to take things that you’re familiar with, and turning the meaning inside out. He further continued, “What they really mean is that the film exploited their memory of her, their image of her, which is fair enough. The movie doesn’t make any difference in one way or another. “Which is kind of strange, because she’s dead. And if you’re not showing them that, it upsets them.”Īndrew Dominik further stated that it did not matter anymore as to how he depicts the character since Marilyn Monroe is passed away. ![]() “Now we’re living in a time where it’s important to present women as empowered, and they want to reinvent Marilyn Monroe as an empowered woman. While talking about the film, Andrew Dominik spoke on the Red Sea International Film Festival. Stating that the movie received a lot of hate because the people wanted a modified version of Marilyn Monroe as a strong and empowered woman, here’s what the director of Blonde said, The movie seemingly depicted a misogynistic environment and the character was sometimes treated harshly. ![]() ![]() Ana de Armas in No Time To Die (2021).Īlso read: John Wick Spin-off ‘Ballerina’ Starring Ana de Armas Confirms Keanu Reeves and Ian McShane Returning, Confirms Hollywood Doesn’t Trust Female Led Action Flicks The movie was helmed by the Cuban-Spanish actress Ana de Armas and she portrayed the character brilliantly. ![]() Blonde depicted a modified biopic of the American icon and the classic “blonde bombshell” actress Marilyn Monroe. ![]()
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